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part 7
Tue Dec 23, 2008 08:34 (XFF:

(The Middle East magazine, Juanuary 1983"


bne lyas>mir, typical betrayer; maliciously he misused the name of GÜNEY, several years long... He was active instrument of ZOG and he joined many provocations both in Germania and TurCIA.. It's not secret more: AddiZionally info: his IP number is and e-mail adresses for detailed info;, ,,,,,,
Provocateur convert Jew Ìlyas Emír MÌROGLU was born in Miroglu mezra-village, Hekimhan province, Malatya. His Mother "Mammele" was born in Arguvan, who prostitued between Alevi villages there areal, meanwhile this kinky job(!) she met a Businessman in Miroglu mezra village and bastard Ìlyas been produced there. But Ìlyas's father is anonymous businessman from Israel. Arguvan is a district of Malatya Province. Israel is Military Mafia, as everyone knows!

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Filmmaker Michael MOORE unmask Ìlyas EMÌR's linked BUSH like this: Always Chasing Rainbows

"Iran would be dangerous if they have a nuclear weapon." -- G. W. Bush
Source: the Whitehouse:

Counterfeiting of "cinema-friends" spread classic Kabala-manipulation, exempelvsi the false GÜNEYSanat magazine makes such a service under the control of the Zionist instrumenter
- What does the Kabala?
- Sionistiska imperialism mental tools to anaesthetize frivolous in society ...
-- It is no wonder then Ìlyas EMÌR-league engaged in such activities as their best friends are missionaries. Yilmaz GÜNEY was never a friend of the rat ... After Yilmaz's death witnessing people that all koppelllösa dogs are playing their worst roles in the dirty scene ...
- Do!

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"Indian film makers comment on the Zionist grip over the Western World’s entertainment & opinion molding apparatus", reported by tv on 15 February 2008
Bollywood Meets Hollywood
“Unless you are Jewish, you are nobody in Hollywood”

The large Indian movie industry is often jokingly referred to as “Bollywood” since when those with an Indian-English accent pronounce Hollywood it comes out “Bollywood.”

But those Indians dealing with Hollywood notice something about who runs Hollywood. Since they are in India and are less fearful about retaliation, they can talk about it.

This is the major reason our media is socially, politically and philosophically skewed.

Indian producer discusses “Unless you are Jewish, you are nobody in Hollywood”

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Jews control hollywood & the propaganda!

-.. , .~-

The Film "Yol", commented by Louis Proyect
October 31, 2006
Turning now to “Yolda” (On the Road), we are once again engaged with Kurds and Turkish film but much more explicitly. This spare and somber work, written and directed by Erden Kiral, is a dramatization of a moment in the life of the legendary Turkish director Yilmaz Guney who is best known in the West for the 1982 “Yol” (The Road). This masterpiece unfortunately is not now available on video, but must be seen if it ever appears on television or at a local revival house. It is the story of five men on a week’s leave from a Turkish prison. Although I did not know it when I saw the film, Guney had directed it from prison where he was serving time for killing a judge. In the early 1980s Turkey was in the throes of a virtual civil war between the left, including a significant Kurdish contingent, and the Kemalist dictatorship. “Yolda” makes clear that Guney was a man of the left and a member of the Kurdish minority.

The film is set in 1982 and the opening scene depicts Yilmaz Guney (Halil Ergun) surrounded by the cast and crew of a new film he is directing from behind bars. In other words, it is exactly the circumstances that surrounded the making of “Yol,” whose title “Yolda” obviously pays homage to.

Guney decides that he cannot work with his director Sedat (Serdar Orcin) any longer but cannot find the words to explain why. (The director of “Yolda” was a one-time collaborator with Guney who had an identical experience.) This sets the pattern of the rest of the film, which depicts Guney as somebody who prison and disappointment have rendered silent. While this may be or may not be faithful to the historical figure, it does not exactly add up to compelling drama which requires dialogue to reveal character and sustain momentum. Emotions are expressed in “Yolda” mostly through furtive glances and strangled cries.

This is not to say that the film is utterly without drama. It depicts the transfer by car of Guney to a new prison. Surrounded by a group of cops who are deferential to the celebrity in their midst and followed by a car carrying Sedat and several members of his crew, they go on the road into Turkey’s Eastern hinterlands. Sometimes proceeding for long stretches without dialogue, “Yolda” sustains one’s interest by making the trip itself the subject of the film. In one remarkable scene, as the group is sitting in a roadside restaurant, local Kurdish villagers discover that the legendary director is there. They enter the restaurant in a procession and dance and sing in a circle around his table.

The film ends with Guney fleeing from his captors, as happened in real life.

Although I frequently grew impatient with “Yolda,” I am thankful that I had the opportunity to see it since it opened my eyes to another aspect of Turkish reality. On the evidence of “Yol,” Guney would appear to be one of the late 20th century’s great directors. As I begin to master Turkish, I hope to see other films that he made, which are probably more readily available in Turkish-language without subtitles. He was a remarkable artist as this excerpt from a 1983 interview would indicate (he died of cancer the following year.)

Q: When did you find out that you were Kurdish?

A: I must say I am an assimilated Kurd. My mother was Kurdish, my father a Zaza Kurd. All through my childhood, Kurdish and Zaza were the languages spoken at home. I spoke Kurdish until I was 15. Then I was cut off from my family.

At that time I heard speeches saying: “There are no Kurds; there is no Kurdish language”. But I heard people speaking and singing in Kurdish, and I could see that the Kurds were living under very difficult conditions. My father was from Siverek; I saw Siverek for the first time when I was 16. It was then that I really realised who I was. There I knew the suffering of an uprooted family; my father said: “you are cut from your roots”. And at the age of 34, I was able to go and see my mother’s country, Mouch, the tribe of Jibran. The Herd is the story of what happened to this tribe.

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German Film Shows That Non-Jews Also Suffered During WWII
Posted by Robert Ransdell on: 2008-12-04

One of the long-ignored chapters of World War II hit German screens this month with a harrowing account of the mass rapes of German women by Russian soldiers as the Nazi regime crumbled around them.

"Anonyma - A Woman in Berlin" stars A-list German actress Nina Hoss and has returned a victim's anonymous diary to the forefront of an extremely tentative debate about German suffering during and after the war.

"There were tens of thousands (of rape victims) - that is for certain. Perhaps even hundreds of thousands," US historian Norman Naimark, director of the Center for European Studies at Stanford, told German weekly Die Zeit. "Some estimates go up to two million if you include all the Eastern European territories with German populations."

While the horrors inflicted by Nazis troops across the Soviet bloc are well documented, the price German women paid for the revenge taken by Russian soldiers was long unspoken in Germany- overshadowed by the overwhelming guilt of Hitler's followers.

Related media link:
"Hollywood is run by Jews; it is owned by Jews - and they should have a greater sensitivity about the issue of people who are suffering. Because...we have seen...the greaseball, we've seen the Chink, we've seen the slit-eyed dangerous Jap, we have seen the wily Filipino, we've seen everything but we never saw the kike. Because they knew perfectly well, that that is where you draw the [line]."
- Marlon Brando on Larry King Live


Leftists should expose the Jewish ManipulaZional arts, for instance:
But, majority of Leftists always afraid of Mo$$ad and therefore the Leftits always prefer to blind on the crimes of the dominaZional power/judaized Imperialism...
School books all over the world, almost formated by the Masonry-Jewry staff. Officially history based on the lies of judazied Imperialism! Leftists should say the truth on the educational cases too; not only for economical discussions!
Brainwashed Leftists supported Jewish lies, fake arts of dominaZional power, for instance lie-based-Nazi films... There are no Nazis; it's only production of the ZOG:
There are genial artists, too; for example Yilmaz GÜNEY. He exposed the lies of Dominational Power! GÜNEY based his work on the shocking truth, instead of brainwashing!

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How Jewish is Hollywood?
Reported by tv on 20 December 2008
The following article in the Los Angeles Times by a Jewish entertainment figure says what no Gentile can say without universal condemnation. Everyone with fundamental knowledge of Hollywood and the mass media knows the correct answer to the ADL poll in which it asked Americans if they agree with the statement that “the movie and television industries are pretty much run by Jews.” The fact that only 22 percent are cognizant of this fact or simply brave enough to be honest about what they know, is certainly indicative itself of the enormous Jewish power in media. To wit, they have so much overweening power that no one can even admit the obvious. Jewish domination of the media is not a debatable subject, it is as much a fact as the earth not being flat. Jewish power is so pervasive that we are not allowed to know or acknowledge this simple fact. The question is, “what other vital information has been kept from all of us?” - David Duke

How Jewish is Hollywood?
A poll finds more Americans disagree with the statement that ‘Jews control Hollywood.’ But here’s one Jew who doesn’t.

Written by Joel Stein

December 19, 2008

I have never been so upset by a poll in my life. Only 22% of Americans now believe “the movie and television industries are pretty much run by Jews,” down from nearly 50% in 1964. The Anti-Defamation League, which released the poll results last month, sees in these numbers a victory against stereotyping. Actually, it just shows how dumb America has gotten. Jews totally run Hollywood.

How deeply Jewish is Hollywood? When the studio chiefs took out a full-page ad in the Los Angeles Times a few weeks ago to demand that the Screen Actors Guild settle its contract, the open letter was signed by: News Corp. President Peter Chernin (Jewish), Paramount Pictures Chairman Brad Grey (Jewish), Walt Disney Co. Chief Executive Robert Iger (Jewish), Sony Pictures Chairman Michael Lynton (surprise, Dutch Jew), Warner Bros. Chairman Barry Meyer (Jewish), CBS Corp. Chief Executive Leslie Moonves (so Jewish his great uncle was the first prime minister of Israel), MGM Chairman Harry Sloan (Jewish) and NBC Universal Chief Executive Jeff Zucker (mega-Jewish). If either of the Weinstein brothers had signed, this group would have not only the power to shut down all film production but to form a minyan with enough Fiji water on hand to fill a mikvah.

The person they were yelling at in that ad was SAG President Alan Rosenberg (take a guess). The scathing rebuttal to the ad was written by entertainment super-agent Ari Emanuel (Jew with Israeli parents) on the Huffington Post, which is owned by Arianna Huffington (not Jewish and has never worked in Hollywood.)

The Jews are so dominant, I had to scour the trades to come up with six Gentiles in high positions at entertainment companies. When I called them to talk about their incredible advancement, five of them refused to talk to me, apparently out of fear of insulting Jews. The sixth, AMC President Charlie Collier, turned out to be Jewish.

As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you’d be flipping between “The 700 Club” and “Davey and Goliath” on TV all day.

So I’ve taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that’s what we do best. I’m weighing several slogans, including: “Hollywood: More Jewish than ever!”; “Hollywood: From the people who brought you the Bible”; and “Hollywood: If you enjoy TV and movies, then you probably like Jews after all.”

I called ADL Chairman Abe Foxman, who was in Santiago, Chile, where, he told me to my dismay, he was not hunting Nazis. He dismissed my whole proposition, saying that the number of people who think Jews run Hollywood is still too high. The ADL poll, he pointed out, showed that 59% of Americans think Hollywood execs “do not share the religious and moral values of most Americans,” and 43% think the entertainment industry is waging an organized campaign to “weaken the influence of religious values in this country.”

That’s a sinister canard, Foxman said. “It means they think Jews

meet at Canter’s Deli on Friday mornings to decide what’s best for the Jews.” Foxman’s argument made me rethink: I have to eat at Canter’s more often.

“That’s a very dangerous phrase, ‘Jews control Hollywood.’ What is true is that there are a lot of Jews in Hollywood,” he said. Instead of “control,” Foxman would prefer people say that many executives in the industry “happen to be Jewish,” as in “all eight major film studios are run by men who happen to be Jewish.”

But Foxman said he is proud of the accomplishments of American Jews. “I think Jews are disproportionately represented in the creative industry. They’re disproportionate as lawyers and probably medicine here as well,” he said. He argues that this does not mean that Jews make pro-Jewish movies any more than they do pro-Jewish surgery. Though other countries, I’ve noticed, aren’t so big on circumcision.

I appreciate Foxman’s concerns. And maybe my life spent in a New Jersey-New York/Bay Area-L.A. pro-Semitic cocoon has left me naive. But I don’t care if Americans think we’re running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.

Source media link:,0,2313474.column

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Copyright©Tv Independent Laponia///Banned books tv arranged series/®All rights reserved///International English language version of the Saga:

  • part 6ç, Tue Dec 23 08:32
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