Several years ago I had the pleasure of working side-by-side with that dynamic duo from the midwest, Slik and Tiny. As I greatly admired the work of both stripers, I was questioning them about not clor choices, but color placement. They both replied that they always put the darkest colors down first. This defied my own logic, believing that by putting lighter/brighter colors down first...they would still stand out as a design developed and subsequent colors were built on ascending layers. After starting to, in most cases, employ this stategy however, I find my work having more visual depth.
In the attempt to refine my own pinstriping, I would like to hear from others on placement of color. I am forever studying others work and beside having my own personal likes and dislikes, there has... more
There a very few, if in fact, any rules to this game. Over the years I have read and heard some do's and don'ts. The only one I ever felt was worthy of passing on was " avoid crossovers at a shallow... more
Thanks Brian ,I agree with you. The least amount of contrast to the background should go down first and layer colors till your final color with the most amount of contrast in relationship to the... more
I don't think your logic is so abstract. Sounds simple but, study, not just look at, but study the lines of the people that you want to emulate. I think as a consequence that will lead you to your... more
There is no rules on this, as far as I know . . How you stack color and what the contrast might be is an Individual choice, and the substrate color generally dictates the artist's choice . . This... more
I don't know that there are any enforceable "RULES" . . Years ago Tommy Stratton told me to make them as symmetrical as humanly possible . . Then here comes Steve Kafka with a beautiful assymetrical... more
I know what you mean Large;I used to try and do the best symmetrical design that I could and then I ran into Don Penttila in the late 60's who did these incredibly small and detailed asymmetrical... more